From: owner-scribes@castle.org (scribes digest) To: scribes-digest@castle.org Subject: scribes digest V7 #34 Reply-To: Sender: owner-scribes@castle.org Errors-To: owner-scribes@castle.org Precedence: bulk scribes digest Wednesday, November 7 2001 Volume 07 : Number 034 ======================================================================== To unsubscribe from this list, send email to with unsubscribe scribes-digets in the body of the message. Leave the subject line blank. Do not include any additional text. [scribes]: writing between the lines [scribes]: early Gothic examples? Re: [scribes]: writing between the lines Re: [scribes]: writing between the lines Re: [scribes]: writing between the lines [scribes]: goutte de sange RE: [scribes]: goutte de sange Re: [scribes]: writing between the lines [scribes]: Late congratulations... Re: [scribes]: Late congratulations... Re: [scribes]: writing between the lines Re: [scribes]: Late congratulations... Re: [scribes]: early Gothic examples? [scribes]: Re: early Gothic examples? [scribes]: Shell Gold Re: [scribes]: writing between the lines Re: [scribes]: writing between the lines Re: [scribes]: Shell Gold Re: [scribes]: writing between the lines Re: [scribes]: early Gothic examples? Re: [scribes]: writing between the lines ---------------------------------------------------------------------- Date: Tue, 6 Nov 2001 13:45:40 -0800 (PST) From: Barb Ding Subject: [scribes]: writing between the lines Greetings all - I'm looking for tips on learning to write between inked lines (without touching them), without drawing in additional pencil lines for the calligraphy. Advice on how to ink the lines so that they don't cause the calligraphy ink to bleed where they're crossed also much appreciated - my experiments haven't brought much success. Thanks! Dorren __________________________________________________ Do You Yahoo!? Find a job, post your resume. http://careers.yahoo.com =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 06 Nov 2001 17:29:13 -0500 From: "E. Brown" Subject: [scribes]: early Gothic examples? Greetings, Can someone point me to some good examples of early Gothic script, either online or in print? Are there any books that feature primarily early Gothic, that might be a) readily available b) reasonably priced? This is not for a specific project, but of general interest, to get exemplars to work from, and start my own model library. My thanks, regards, Genevieve Skraeling Althing, Ealdormere =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 6 Nov 2001 17:33:26 EST From: BRNDALSTON@aol.com Subject: Re: [scribes]: writing between the lines - --part1_b4.13fee61.2919bf36_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 11/6/2001 4:47:08 PM Eastern Standard Time, dorrenash@yahoo.com writes: > I'm looking for tips on learning to write between > inked lines (without touching them), without drawing > in additional pencil lines for the calligraphy. > > Advice on how to ink the lines so that they don't > cause the calligraphy ink to bleed where they're > crossed also much appreciated - my experiments haven't > brought much success. > Maybe try the calligraphy first with pencil lines and then ink the lines after the calligraphy is done? Other than that, I have no idea. Brandy - --part1_b4.13fee61.2919bf36_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 11/6/2001 4:47:08 PM Eastern Standard Time, dorrenash@yahoo.com writes:


I'm looking for tips on learning to write between
inked lines (without touching them), without drawing
in additional pencil lines for the calligraphy.

Advice on how to ink the lines so that they don't
cause the calligraphy ink to bleed where they're
crossed also much appreciated - my experiments haven't
brought much success.


Maybe try the calligraphy first with pencil lines and then ink the lines after the calligraphy is done?

Other than that, I have no idea.
Brandy
- --part1_b4.13fee61.2919bf36_boundary-- =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 6 Nov 2001 16:45:22 -0600 From: "Corinna Taylor/Al Frank" Subject: Re: [scribes]: writing between the lines Dorren, the key to putting one colour/ink/paint over another is "fat over lean." This rule is usually only taught in reference to oil paints, but it works in almost any wet medium. Essentially, a heavier, "fat" layer with more or stickier adhesive/medium/binder will work over a "lean" one with less, but not the other way around. So if you make your inked lines with very dilute watercolour (preferable) or gouache and write with thicker paint, undiluted pigmented ink or Japnese stick ink, the writing shouldn't bleed. A light spray of workable fixative might also help, or, for a more historical fixative, Paul Werner of the WOID archives suggests skim milk. Corinna Midrealm - ----- Original Message ----- From: "Barb Ding" To: "SCA Scribes" Sent: Tuesday, November 06, 2001 3:45 PM Subject: [scribes]: writing between the lines > Greetings all - > > I'm looking for tips on learning to write between > inked lines (without touching them), without drawing > in additional pencil lines for the calligraphy. > > Advice on how to ink the lines so that they don't > cause the calligraphy ink to bleed where they're > crossed also much appreciated - my experiments haven't > brought much success. > > Thanks! > > Dorren > > __________________________________________________ > Do You Yahoo!? > Find a job, post your resume. > http://careers.yahoo.com > =================================================================== > To unsubscribe from this list, send email to > with a blank Subject: line and > unsubscribe scribes > in the body of the message. Do not include any additional text in > the body. > =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 6 Nov 2001 15:25:18 -0800 From: Carolyn_Richardson@prosystemfx.com Subject: Re: [scribes]: writing between the lines >>Paul Werner of the WOID archives suggests skim milk.<< Oy. Those of us in warmer climes have noses reeling at that suggestion. I rather think it would make things smell rather badly. I have a friend who tried one of those "milk paint" paints because she was concerned about allergic reactions to chemical based paints. It covered just fine but within a week the entire house smelled like an unwashed dairy farm. I don't remember what she had to do to cure the smell. Tetchubah =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 6 Nov 2001 19:19:20 EST From: HRAFNASDOT@aol.com Subject: [scribes]: goutte de sange - --part1_a7.1667a517.2919d808_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Does anyone have the wording for the "Goutte de Sange" award scroll for the kingdom of An Tir? I cannot access the area on their web site which would contain it. I would be so very appreciative if someone could forward it to me. I am mid scroll and cannot continue without it. And can anyone confirm the wax seal sizes - are they 3"? and the heralds 2"? My computer lost several files while transitioning to AOL 7.0 and I no longer have that information Thanks in advance. Lady Asa Hrafnasdottir Loch Ruadh Sermo datur cunctis, animi sapientia paucis. Speech is given to many, intelligence to few. - --part1_a7.1667a517.2919d808_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: 7bit Does anyone have the wording for the "Goutte de Sange" award scroll for the kingdom of An Tir?  I cannot access the area on their web site which would contain it.  I would be so very appreciative if someone could forward it to me.  I am mid scroll and cannot continue without it.

And can anyone confirm the wax seal sizes - are they 3"? and the heralds 2"?  My computer lost several files while transitioning to AOL 7.0 and I no longer have that information

Thanks in advance.

Lady Asa Hrafnasdottir
Loch Ruadh

Sermo datur cunctis, animi sapientia paucis.
Speech is given to many, intelligence to few.   
- --part1_a7.1667a517.2919d808_boundary-- =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 6 Nov 2001 17:46:57 -0800 From: "Ken Stoner" Subject: RE: [scribes]: goutte de sange This is a multi-part message in MIME format. - --------------InterScan_NT_MIME_Boundary Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C1672E.15F07040" - ------_=_NextPart_001_01C1672E.15F07040 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable You can use any standard text for this award. Here is a quick text below: =20 Be it known to all who come by these presents, that We, (Kings Name) and (Queens Name), King and Queen of An Tir, are well pleased by the great service that Our subject, (Subjects Name) has rendered unto Us and our fair realm. Therefore, we are minded to Grant him Arms, and do further enroll him in the Order of the Goutte de Sang.=20 Henceforth, he/she shall have the sole and exclusive right to bear the following blazon: (Enter Blazon Here). As token of this award, he/she may also display as part of his full achievement of arms a black helmet and crest, with mantling (Recipients livery colors), and may also display the token of this award dependant from said achievement. We hereby execute and confirm this letter, by Our Noble Hand and the Great Seal of An Tir, this (X)th day of (Month), and the (AS#) year of Our Society, which was (19xx) in the common Reckoning. -----REX----- et -----REGINA----- (These are the lines for the K&Q's signatures) So also does Sable Lion Principal Herald confirm the accuracy of the name and blazon described herein. (----Haraldae Principa----) (this is a line for the kingdom herald to sign) =20 =20 - -----Original Message----- From: HRAFNASDOT@aol.com [mailto:HRAFNASDOT@aol.com]=20 Sent: Tuesday, November 06, 2001 4:19 PM To: scribes@castle.org Subject: [scribes]: goutte de sange =20 Does anyone have the wording for the "Goutte de Sange" award scroll for the kingdom of An Tir? I cannot access the area on their web site which would contain it. I would be so very appreciative if someone could forward it to me. I am mid scroll and cannot continue without it. And can anyone confirm the wax seal sizes - are they 3"? and the heralds 2"? My computer lost several files while transitioning to AOL 7.0 and I no longer have that information Thanks in advance. Lady Asa Hrafnasdottir Loch Ruadh Sermo datur cunctis, animi sapientia paucis. Speech is given to many, intelligence to few. =20 - ------_=_NextPart_001_01C1672E.15F07040 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

You can use any standard text for = this award. Here is a quick text below:

 

Be it known to all who come by = these presents, that We, (Kings Name) and (Queens Name), King and Queen of An = Tir, are well pleased by the great service that = Our subject, (Subjects Name) has rendered unto Us = and our fair realm. Therefore, we are minded to Grant him Arms, and do further = enroll him in the Order of the Goutte de Sang. =

Henceforth, he/she shall have the = sole and exclusive right to bear the following blazon: (Enter Blazon Here). As = token of this award, he/she may also display as part of his full achievement of = arms a black helmet and crest, with mantling (Recipients livery colors), and = may also display the token of this award dependant from said = achievement.

We hereby execute and confirm this = letter, by Our Noble Hand and the Great Seal of An Tir, this (X)th day of (Month), and the (AS#) year of = Our Society, which was (19xx) in the common = Reckoning.

        = ;    -----REX-----    et     = -----REGINA-----   (These = are the lines for the K&Q’s = signatures)

So also does Sable Lion Principal = Herald confirm the accuracy of the name and blazon described herein.

        = ;    (----Haraldae Principa----) = (this is a line for the kingdom herald to = sign)

        = ;   

 

-----Original = Message-----
From: HRAFNASDOT@aol.com [mailto:HRAFNASDOT@aol.com]
Sent: Tuesday, November = 06, 2001 4:19 PM
To: = scribes@castle.org
Subject: [scribes]: = goutte de sange

 

Does anyone have the wording for the = "Goutte de Sange" award scroll for the kingdom of An Tir?  I cannot = access the area on their web site which would contain it.  I would be so very = appreciative if someone could forward it to me.  I am mid scroll and cannot = continue without it.

And can anyone confirm the wax seal sizes - are they 3"? and the = heralds 2"?  My computer lost several files while transitioning to AOL = 7.0 and I no longer have that information

Thanks in advance.

Lady Asa Hrafnasdottir
Loch Ruadh

Sermo datur cunctis, animi = sapientia paucis.
Speech is given to many, intelligence to few.    =

=00 - ------_=_NextPart_001_01C1672E.15F07040-- - --------------InterScan_NT_MIME_Boundary-- =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 06 Nov 2001 21:02:01 -0500 From: wyverns Subject: Re: [scribes]: writing between the lines Bleeding is a matter of the ink and the dryness, in my experience. I have found that calligraphy doesn't tend to cause bleeding on already-drawn lines if the drawing has been done the day before - usually I use sumi non-waterproof ink. Writing between inked lines... I've herad them called floating scripts, if I understand what you are asking. I can't say that I have had great success, but I have had modest success on a few scrolls. Usually the overall effect is just a little more 'wobbly' than I like, but I do manage not to touch the lines. I draw the lines about twice as far about as the intended hight of my letters, sometimes a little closer spaced than that. And sometimes less 'extra' space makes it easier. The trick (after practicing a lot at the needed size - an absolute must) is to start the letter the right distance from the top line. If you can get that right, the rest tends to follow naturally. Be aware, that the starting point on many letters is NOT the highest point of the letter, and that needs to be taken into account when you start, especially for the first few letters. It helps to actually DO a capitol rather than merely leave space for an illuminated one, or make sure your first word includes tall letters - upward extenders I think may be the technical term. Once the first capitol or tall letter is there, other tall letters are relatively easy - just start the same distance from the top each time. (Less is actually better in this case; its generally easier, I find, to eyeball a shorter distance than a larger one.) The small letters are trickier - if you start too low, the whole letter will inevitably land too low. For those, practicing the hand on a semitransparent UNlined sheet, but with lined paper underneath is usually best - then take away the lined sheet and really LOOK at where each latter started without the distraction of the lines (not necessarily the high point in the letter but where your pen started the first stroke of the letter) in relationship to the ones next to it. If you start in the right place, ending in the right place will happen rather naturally. And as with all calligraphy in any setting SLOWER is BETTER, even if you think you are already going slow. Practicing the hand at the right size is also a must for floating scripts (i.e., not touching the lines) I do NOT recommend drawing in the lines after, if you want straight lines, unless you are calligraphing on a semi-transparent paper with lined paper underneath. If the letters aren't in proper alignment, it will be impossible to put straight lines in above and below them (or even evenly curved ones), and the lines WILL exagerate any wobbliness in the letter positioning. Good luck! M. Enid =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 6 Nov 2001 21:50:51 EST From: KMcWhyte@aol.com Subject: [scribes]: Late congratulations... (Sorry this is late, Olwyn) Just thought I'd congratulate Olwyn again on her Maunche, received at Crown Tourney this weekend for her skills as a scribe. Definitely well deserved! :) ==------> Lady Kayleigh McWhyte, Mercenary Scribe (East) E.Frank, Long Island NY =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 6 Nov 2001 23:53:02 -0500 From: "Amy" Subject: Re: [scribes]: Late congratulations... > (Sorry this is late, Olwyn) > > Just thought I'd congratulate Olwyn again on her Maunche, received at Crown > Tourney this weekend for her skills as a scribe. Definitely well deserved! :) > > > ==------> Lady Kayleigh McWhyte, Mercenary Scribe (East) Thank you Kayleigh, I was surprised and delighted, and now I really have to work to prove to myself that I deserve it! And I did teach a class for the first time tonight.... Olwyn Eisental, East =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 06 Nov 2001 20:50:54 -0800 From: Karen Williams Subject: Re: [scribes]: writing between the lines wyverns wrote: > > Writing between inked lines... I've herad them called floating scripts, > if I understand what you are asking. I can't say that I have had great > success, but I have had modest success on a few scrolls. Usually the > overall effect is just a little more 'wobbly' than I like, but I do > manage not to touch the lines. If you look at period examples of calligraphy written between lines, you'll notice that not all of their letters are exactly the same height, either. It doesn't have to be computer font perfect. > And as with all calligraphy in any setting SLOWER is BETTER, even if you > think you are already going slow. Practicing the hand at the right size > is also a must for floating scripts (i.e., not touching the lines) I disagree with this. For some hands, to actually make them look period, the faster the better, particularly the secretary hands. After all, that's what they were doing. Branwen ferch Emrys - -- Karen Williams branwen@ix.netcom.com =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Tue, 6 Nov 2001 20:11:46 -0700 From: "Eva Mehlhose" Subject: Re: [scribes]: Late congratulations... > Thank you Kayleigh, I was surprised and delighted, and now I really have to > work to prove to myself that I deserve it! > > And I did teach a class for the first time tonight.... > Olwyn > Eisental, East and this from the one who a mere year and a half ago was insisting that she will not become a scribe, no she will not, can not , would not.....grin and giggle.... Congrats alex the scribe Aten Signet =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Wed, 7 Nov 2001 08:27:06 -0500 (EST) From: john j cash Subject: Re: [scribes]: early Gothic examples? Dear folks, Genevieve writes, > This is not for a specific project, but of general interest, to get > exemplars to work from, and start my own model library. We should all encourage this sort of thing. I have seen lots and lots (and LOTS) of SCA scrolls and calligraphy, in which the scribe has used the example provided by some well-known calligrapher from his/her well-known book, instead of using the several reproductions of the medieval hand provided. Mark Drogin's examples are very popular, and not altogether accurate; and copies are immediately recognizable (to me at least). Drogin's work is fine when used as a guide, as are many others'. But what's wrong with the medieval versions themselves, provided in profusion? Genevieve should continue to collect and copy _medieval_ exemplars, and we should follow her example. - -- Johannes "To the Taliban from the American people: Give us Bin Laden, or we will take all of your women and send them to college!" =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Wed, 7 Nov 2001 10:01:25 EST From: RenScribe@aol.com Subject: [scribes]: Re: early Gothic examples? I always start out learning a new hand using Drogin or Harris to teach me some of the basics, then move on to using an actual piece (or several variations of the same hand) as a model for my own calligraphy. Because of the way I hold my pen some strokes are hard for me to make and always look forced and ...well, just wrong. :-} I usually look for a variation of the letter within that hand that I am more comfortable with and use it instead. I can't recommend any single book that will help with early gothic. The majority of my library is made up of books that cover things done throughout period or focus on one manuscript. When I do early gothic I usually grab Christopher de Hamel's _A History of Illuminated Manuscripts_ or _The Illuminated Page: Ten Centuries of Manuscript Painting_ by Janet Backhouse. The de Hamel book is currently listed in Paper & Ink catalog for $29.95 and is well worth the price. Eibhlin ni Chaoimh AEthelmearc =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Wed, 7 Nov 2001 09:00:11 -0800 From: "SchultzKR" Subject: [scribes]: Shell Gold This is a multi-part message in MIME format. - ------=_NextPart_000_0045_01C1676A.9B94D060 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Am doing a scroll on black vellum using powdered 23K gold that I need to = paint over solid ultramarine. Any tips/suggestions? Thanks - THLady = Agatha of Tintagel thladyagatha@home.com - ------=_NextPart_000_0045_01C1676A.9B94D060 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Am doing a scroll on black vellum using = powdered=20 23K gold that I need to paint over solid ultramarine.  Any=20 tips/suggestions?  Thanks - THLady Agatha of Tintagel
thladyagatha@home.com
 
- ------=_NextPart_000_0045_01C1676A.9B94D060-- =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Wed, 07 Nov 2001 12:06:06 -0500 From: Randy Asplund Subject: Re: [scribes]: writing between the lines I TOTALLY agree with this. Faster writing is better. Real medieval scribes wrote very fast. I've seen the stats on how many pages of a bible they would knock out in a week of writing and it is amazing. Sorry, but I don't remember where I read that, so I can't point to it. Possibly DeHammel. Speed forces habit. Habit forces consistency. RanthulfR Karen Williams wrote: > > wyverns wrote: > > > And as with all calligraphy in any setting SLOWER is BETTER, even if you > > think you are already going slow. Practicing the hand at the right size > > is also a must for floating scripts (i.e., not touching the lines) > > I disagree with this. For some hands, to actually make them look period, > the faster the better, particularly the secretary hands. After all, that's > what they were doing. > > Branwen ferch Emrys > > -- > Karen Williams > branwen@ix.netcom.com - -- VISIT RandyAsplund.com To see a Universe of art ranging from Magic: The Gathering to Star Trek and Medieval Manuscripts Randy Asplund (734) 663-0954 Science Fiction and Fantasy Illustration 2101 S. Circle Dr., Ann Arbor, MI. 48103 =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Wed, 7 Nov 2001 09:47:34 -0800 From: Carolyn_Richardson@prosystemfx.com Subject: Re: [scribes]: writing between the lines >>Speed forces habit. Habit forces consistency.<< Habit also forces personal style. Johannes made the comment that we should all be looking at several medieval exemplars rather than using the single one produced by Drogin or whoever. No arguement here but I do wonder how much of the variations we see in scripts that are the same hand are actually from the scribe themselves adding or deleting small touches. I know that the hand I generally use I actually learned verbatim from copying over my exemplar many many times. Once I started doing the hand free handed, it has evolved over the years into my own version of gothic blackhand. Still recognizably a gothic blackhand, but you'd probably be unable to trace it back to my original exemplar. Even now when doing hands that are similar to blackhand, I occasionally backslide on a letter or two and do the blackhand version out of sheer "hand memory". Tetchubah of Greenlake, Caid =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Wed, 07 Nov 2001 12:59:16 -0500 From: David Nolan/Kara Westfall Subject: Re: [scribes]: Shell Gold - -=>Am doing a scroll on black vellum using powdered 23K gold that I need to paint - -=>over solid ultramarine. Any tips/suggestions? Thanks - THLady Agatha of - -=>Tintagel It sounds like you're doing a black hours scroll, like the book in Painted Prayers-- I've done this several times, and left the acanthus leaves and other foliage black, painted the blue around them, and used gold gouache in a dip nib to draw in the design on the leaves and flowers. It looked to me like that was the method used in the examples I've seen in books. I'd suggest mixing your gold powder with a little gum arabic to make a paint. I've never done this, the only shell gold I used was already in gum arabic, so I can't help you with specifics on how to do it. Hope this is lucid, I really need a nap. Chiara da Ravenna Stonemarche, East (NH) =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Wed, 7 Nov 2001 13:41:25 -0500 (EST) From: john j cash Subject: Re: [scribes]: writing between the lines Dear folks, Ranthlfr writes, > I TOTALLY agree with this. Faster writing is better. Real medieval > scribes wrote very fast. I've seen the stats on how many pages of a > bible they would knock out in a week of writing and it is amazing. > Sorry, but I don't remember where I read that, so I can't point to it. > Possibly DeHammel. > > Speed forces habit. Habit forces consistency. Some of us may now ask, which is better, fast or slow? I think the answer we have is, _practice_ slow and speed up; but don't do scrolls fast (or slow) without practicing. Slow and steady provides confidence and competence; speed should follow, forcing habit, which forces consistency. THEN do the scroll. Don't skip the steps. - -- johannes "To the Taliban from the American people: Give us Bin Laden, or we will take all of your women and send them to college!" =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Wed, 7 Nov 2001 13:44:08 -0600 (CST) From: "Pixel, Goddess and Queen" Subject: Re: [scribes]: early Gothic examples? Merouda's website has a lovely list of links to on-line C&I images here: http://www.geocities.com/CollegePark/Library/2036/links2.htm Some of them have really nice early Gothic scripts, but I'll be lying if I told you I remembered which ones. ;-) Margaret FitzWilliam On Tue, 6 Nov 2001, E. Brown wrote: > Greetings, > > Can someone point me to some good examples of early Gothic script, > either online or in print? > > Are there any books that feature primarily early Gothic, that might be > a) readily available b) reasonably priced? > > This is not for a specific project, but of general interest, to get > exemplars to work from, and start my own model library. > > My thanks, regards, > > Genevieve =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ Date: Wed, 7 Nov 2001 16:58:19 -0500 From: "Sally Burnell" Subject: Re: [scribes]: writing between the lines > >>Speed forces habit. Habit forces consistency.<< > > Habit also forces personal style Oh, I agree here. I guess I've been at this long enough now to where people tell me that they can tell my calligraphy from others by its "style". I guess I must've put my own personal "spin" on my blackletter and uncial scripts. I tend to think that Mediaeval scribes did much the same, because no two MSS. seem to look alike, calligraphy wise. Oh, there is definitely some similarity, but given how different each of our own individual handwriting is and how we all hold a pen (although I was forced by Catholic school nuns to hold my pen "properly" - well, at least what they considered to be "proper" in those days......................), well, each of us is bound to have something "individual" about our scripts. I've judged enough calligraphy and illumination in Regional and Kingdom A&S's now to where I can see this individuality in people's work. There are some scribes whose work I can pick out pretty easily, especially if they are frequent entrants in the A&S's. But yes, habit does force consistency. I know that from experience. But it also does force personal style, and I see nothing wrong with that. Adds a certain individual touch to a person's work and doesn't make it look so "done by rote", as it were. And that tends to add to their "Creativity" scores in my book, if I can see the scribe in his or her work. Just my 2¢ on the matter.......................... ~Saradwen Midrealm =================================================================== To unsubscribe from this list, send email to with a blank Subject: line and unsubscribe scribes in the body of the message. Do not include any additional text in the body. ------------------------------ End of scribes digest V7 #34 ****************************