From: owner-scribes@castle.org (scribes digest) To: scribes-digest@castle.org Subject: scribes digest V2 #138 Reply-To: Sender: owner-scribes@castle.org Errors-To: owner-scribes@castle.org Precedence: bulk scribes digest Sunday, July 5 1998 Volume 02 : Number 138 In this issue: Re: [scribes]: Gold Question ---------------------------------------------------------------------- Date: Sat, 4 Jul 1998 20:46:03 EDT From: FITCHYBEAR@aol.com Subject: Re: [scribes]: Gold Question In a message dated 98-07-04 03:07:14 EDT, brownwell@home.com writes: << Harley and Arundel Psalters, for example, as shown in the Decorated Letter, plates 15 & 16, or some of the adjacent plates (6, 8, 9, 18, and 19). Was it *all* leaf? Or was it all painted? >> Based upon my examination of the same book, I'd say that plates 15 and 16 were painted in shell gold as brushstrokes appear evident in small swirls (almost like paisleys) my only other thought was that they were flat gilded and the gum sandarac slightly tinted during application which would account for the swirls and brushstrokes, allowing the illuminator to see the design before the gold is laid. In the cases of plates 15&16, I would think that the decision might have been made to make the entire piece harmonious....burnished gold would have detracted from the exquisite acanthus work in the bodies of the caps. Plates 6, 8 & 9, I believe were leafed but time ravaged. I base this not upon looking at the Illuminated caps but at the words of the text, which if examined straight on look as flat as the caps but if you look at the bottom end of almost all the descenders, one can see where the light is hitting the underside of the raised area (which wouldn't be the main focus of this picture, the decorated cap would be) it was probably shot obliquely to minimize bounce when photographed. Plates 18&19, I have seen other photos of and they appeared to be burnished. You asked whether or not the illuminator chose what style the painting would take, I would say it depends on the timeframe......Head of schools or workshops were often the designers and would make that decision, sometimes (most especially during the rennissance) the contracts would specify the amount of gilding, shell gold, ultramarine etc. was to be used and more importantly who was to pay for them. Hopes this helps -JimBear ------------------------------ End of scribes digest V2 #138 *****************************